I curate both solo exhibitions for artists — such as Augusta Lardy Micheli’s show in Mexico — and group exhibitions, including Vulnerable Objectivities in a Garden of Delights and Horrors and hear/here for the Servais Family Collection in Brussels.

My curatorial practice is closely intertwined with my research, particularly its poetic and philosophical dimensions.
Transdisciplinary and diffractive per se, this approach adapts fluidly to each context while maintaining a central focus: remaining as close as possible to the artwork itself, in order to allow a broader sense of community to emerge — one that is formed through the dialogue between the works.

Co-curation is an essential part of my approach, offering opportunities to challenge my established frameworks and to foster curatorial dialogue as a process of shared reflection.