I WRITE
I WRITE
Rebecca Horn, Pencil Mask, 1972
WRITING IS THE CORNERSTONE OF MY PRACTICE
Poetry forms its foundation — a space where language, form, and voice intersect. My collection revoir le matin, published in 2022 by JS Editions, initiates a dialogue between text and other media. This interest in cross-disciplinary exchange has led to diverse collaborations, notably with illustrator Juliette Lépineau and Quintal Atelier, as well as a contribution to the reedition of Marguerite Duras’s The Lover.
My work has been featured in several publications, including Notch Magazine (l’appesa), and a new poetry collection is currently in development.
Beyond poetry, I regularly write on contemporary art — producing critical essays, artist statements, and exhibition texts. My writing has appeared in various art magazines, including the English publication émergent magazine, where I contribute articles on current artistic practices and critical discourse.
Across these different formats, writing serves as a space of encounter — between artworks, artists, and theoretical reflection.
My ongoing research explores the diffraction of professional identities within contemporary art, combining perspectives from poetry, quantum physics, and gender studies to investigate how knowledge, subjectivity, and practice intersect.